Chapter Fifty Six: The Three Expressions of the Lore

It's not always the truth that survives,

but the stories we wish to believe.

The legends lie. They smooth over imperfections

to tell a good tale, or to instruct us

how we should behave,

or to assign glory to victors

and shame those who falters.

Alexandra Bracken, Lore

There was a time in the past that the essence of the Lore was deeply embedded within the most intricate veins of society, especially the unwritten rules of the world of Fantasy, mostly a set of codified virtues housed in the same venue similar to a legitimate library, an exhortation in the scroll that speaks of the three principal truths: that of faith, hope, and love.

As many as the rules derived out of the said three fundamentals mentioned above, many have concluded that the Lore itself comprises the main substance of existence from which the world of Fantasy invokes its epistemic constructs. To the many who were properly convinced about the sincerity of the moral lessons that ultimately emanates from the creative imagination and dreams of the many who have felt the joy and pain of experiencing the human condition, the Lore of Commons was finally legislated to take the form as principal basis of the preamble of the many definitions and the sacred thesaurus of the non-literal words.

Of the three principal truths, love was the most questioned with regards to its essence, efficacy, and the boundaries of its universal application. The inherent utility of the word is full of paradoxes, and the poetic use of the many attributions made to the very potent idea was full of abstraction, especially when described to justify the need of all the evil in the world for the full concept of love to be enveloped with its corresponding literal understanding, as well as the invisible quality that can be felt from the nature of its original substance.

Sorrows have been the main basis of conflict in the many creative prose written so that they may glorify love to its most dignified state, despite the blurred attribution that solicits emotional response rather than an informed opinion to the process of the main contention in the way the style of storytelling dominates the flow of the creative idea.

In fact, love is always invoked when establishing the basic constructs of any constituted relationship; anything pleasurable or joyful is attributed to the same known efficacy of the same concept of close affection. Love has been glorified, dignified, berated, blamed, obliterated, and even belittled all at the same time, mainly because of the several perils offered by reality with regards to the fragility of the many ways the human heart was able to feel, move, and eventually fall, giving rise to a condition of romance, as well as all the sufferings as a consequence of holding this very truth.

However, many souls have held that love is not a mere concept to be defined by the mere limited understanding of the human faculty to discern the elements of thoughts and definition, then ultimately process the emotional Toll of the pain experienced, produce a candid opinion about the manipulative tendencies of life's ugliest version, and to decide whether to continue fighting or to give up completely, notwithstanding the inherent desire in search of the glory of the same impetus.

Love is absolute and cannot be created nor destroyed. The essence of the word existed indefinitely, because God is love. The higher power that people believe is existing has always been in reference to the power of this observed impetus. It is, truly, about love.

Indeed.

For the many who actually believed the importance of the defined might of the beautiful Lore, love is the major motivation that moves universal forces to the compulsary act of what is attributed to be inherently good, the main source of non-transferable power that draws the rational souls to their ultimate soulmates, the main ascription to the proper movement of all created things.

It is for this very reason that it was eventually called the Lore of Commons. It is not just a mere place, but a condition.

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This Chapter is sponsored by Tag Heuer.